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Borge Mogensen 2211 Armchair - Aniline-Black / Walnut
 
Borge Mogensen  2211 Armchair - Aniline-Black / Walnut

Borge Mogensen 2211 Armchair - Aniline-Black / Walnut

This classic chair was designed in 1962 by Borge Mogensen for use in his home in Gentofte. The Borge Mogenson Chair is very minimal, and the simplicity and classic style have made this line one of Mogensens most popular designs. It is upholstered in premium leather on all sides and includes medium-density foam filled seat and back cushions, providing comfortable and spacious seating.This piece is part of a collection that includesthe 2213 Sofa and 2212 Loveseat for a complete living room set.

Product Reviews


5 out of 5 based on 19 user ratings

List Price: $2,180.00
$1,375.00
 
Brought to you by : Eternity Modern - Mid Century Modern Furniture CANADA. You will be forwarded to their site for purchase
Features:
Material and Feature:Structure:hardwood frame with double dowelsand corner
- block
- reinforcing; and treated for durability and pests control using a non
- toxic Kiln
- dried treatmentHigh elasticity dacron
- wrapped foam with genuine down feather layer Medium firm cushion seat feel (cushion softness customizable)Fabric, Top Grain/Aniline Leather upholstery (C.O.M available)Solid wood legs with walnut or natural oak finish (legs height customizable)All materials are fire
- retardant and non
- toxic (Baby friendly)Customization available
- Request with Customer ServiceDimensions:Width: 37" x Depth: 32" x Height: 30"Seat Height:18"* All measurements are approximations.Brge Mogensen was born in Aalborg, Denmark. He started as a cabinetmaker in 1934, and studied furniture design at the Danish School of Arts and Crafts in Copenhagen from 193638. From 1938
- 43 he worked at various design studios in Copenhagen, including with Kaare Klint. In 1959 he left FDBs furniture design studio to found his own design studio. His work has been featured in one
- man exhibitions in Zurich, London, New York, Stockholm, Paris and Copenhagen. His furniture, strongly representative of his training as a traditional craftsman, was greatly appreciated by a public who had not yet become interested in modernism and the changes its influence had created on furniture and the decorative arts. He designed a sofa in 1945 with leather ties which allowed the sides to be dropped down. A 1949 chair, claimed by critics to be a model for future chairs, used a curved, slightly sloping backrest, cut out along the spine in an organic dewdrop shape. He designed a set of simple, sturdy and modest furniture for a seaside cottage in 1959, a very traditional oak table and chair set in 1960 and a set in pine to furnish a husbands study in 1962.

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